Carly Sioux 5/16/25 Carly Sioux 5/16/25

Nude and Rude

Nude and Rude explores Beige Goth through provocative design, blending structured linens, Victorian furnishings, and stark nude tones. Shot in New Orleans by House of No Era, this series challenges traditional design with an experimental edge.

HAUNTED GRAFFITI, BEIGE GOTH, NO ERA, NEW ORLEANS, EDITORIAL, PHOTOSHOOT, VINTAGE FURNITURE COLLECTION, ART AND DESIGN, HAUNTED MANSION, CONTEMPORARY ART, FOUND OBJECT, VINTAGE DECOR, ITALIANATE STYLE

“Beige Goth” emerged as a radical fusion of performance art, fashion, and interior design, conceived by House of No Era. This unique design philosophy challenged norms by reappropriating the sacred color of beige, often revered in traditional interior design circles, into an act of defiance and rebellion.

Imagine Coco Chanel’s timeless elegance effortlessly layered with Alexander McQueen’s iconoclastic edge. It’s a concept where structured linen fabrics and severe starched dresses intertwine with the haunting silhouettes of antique furnishings, skulls and bones, Italianate Victorian decor, and sharp mirrored facets. All these elements are harmoniously interwoven into a muted monochromatic palette of nude tones, enriched with sporadic hints of white and ethereal, ghostly shapes.

“Beige Goth” metamorphosed beige into an embodiment of darkness, menace, and sinister allure, all while remaining true to the signature high-contrast style that defines No Era. This concept playfully teased the traditionalist interior design of New Orleans while simultaneously tapping into the city’s eerie, gritty gothic history.

Now that Beige Goth is over, what do you anticipate the New Era

Carly Sioux 5/15/25 Carly Sioux 5/15/25

Haunted Graffiti: Future Tense

Future Tense is a conceptual design story within the Haunted Graffiti series, blending Hungarian graffiti murals with antique Italian furnishings inside a decaying New Orleans mansion. The collection explores themes of contradiction—life and death, softness and severity—through surreal, carefully constructed scenes that challenge conventional design narratives.

Haunted Graffitti, House of No Era, New Orleans, Contemporary Graffiti Murals, Vintage Furniture Collection, Editorial, Magazine, Art Direction, Vintage Decor, Vintage Style, Haunted House, Online Shop

Carly Sioux 5/14/25 Carly Sioux 5/14/25

SIGHTED: Haunted Graffiti

Haunted Graffiti reimagines a forgotten Victorian home in New Orleans through large-scale graffiti murals, antique Italian furniture, and mid-century Hungarian design. A study in contrasts, the project explores decay, beauty, and the collapse of time.

Haunted Graffitti, House of No Era, New Oreans Design, 19th Century Italian, Contemporary Pop Art Graffiti Murals, Grit Noir, High Contrast, Vampire Ball, Italianate Style, Design Campaign, Design theory, Experimetnal Design, Theatrical Set Design

Haunted Graffitti, House of No Era, New Oreans Design, Mid Century, Eames Chai, Contemporary Pop Art Graffiti Murals, Grit Noir, High Contrast, herman mille, Italianate Style, Design Campaign, Design theory, Experimetnal Design, Theatrical Set Design

Haunted Graffitti, House of No Era, New Oreans Design, Maison Jansen Chair, Contemporary Pop Art Graffiti Murals, Grit Noir, High Contrast, Vampire Ball, Italianate Style, Design Campaign, Design theory, Experimetnal Design, Theatrical Set Design

Haunted Graffiti, house of no era, new orleans, Design campaign, maison jansen, Hungarian Graffiti Murals, Italianate Style, Juxtaposition, theatrical set design, interior design, experimental design

Carly Sioux 5/13/25 Carly Sioux 5/13/25

In The Mood for Deco-Dence

In the Mood for Decadence blends vintage Hungarian Art Deco and Italian tropical styles with cinematic influences from In the Mood for Love and Ernest Hemingway. The design concept explores rich textures, chinoiserie details, and a bold color story that evokes timeless elegance and layered storytelling.

House of No Era New Orleans interior design project blending Art Deco Hungarian furniture and 1970s Italian furnishings, inspired by Wong Kar Wai's 'In The Mood for Love' set design and Ernest Hemingway's robust, timeless aesthetic.

House of No Era New Orleans interior design Hungarian Art Deco furniture rich color palette deep reds, browns golds Wong Kar Wai’s 'In The Mood for Love, Traditional Tropical, Maison Jansen Brass banana tree, Lane Furniture 1970s coffee table